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Tuesday, December 21, 2004

THE WORDIES!

WOTS has decided to start giving out her own awards (in the spirit of The Empty Space Awards, aka "The Empties.") But The First Annual Word on the Street Awards (AKA "The Wordies") are like the People's Choice Awards -- We got a little something something for EVERYBODY!

Feel free to blog your votes on WOTS's top picks of the Best of Bakersfield's talented theatrical underground. Nominees for music and superlarative catagories to follow.

And the nominees are ...

LOCAL THEATER

General Excellence:
  • Stars Theatre Restuarant/Bakersfield Music Theatre
  • The Spotlight Theatre and Cafe
  • Bakersfield Community Theatre
  • The Empty Space
Best Production:
  • "Angels In America" (The Empty Space)
  • "Into the Woods" (The Spotlight Theatre)
  • "The Vagina Monologues" (The Empty Space)
  • "Beauty & the Beast" (Bakersfield Music Theatre)
  • "Cabaret" (The Empty Space)
Best Production No One Saw
  • "The Altruists" (The Empty Space)
  • "Our Town" (The Empty Space)
  • "A Few Good Men" (The Spotlight)
  • "On the Verge" (The Spotlight)
Best Musical:
  • "Into the Woods" (The Spotlight Theatre)
  • "Cabaret" (The Empty Space)
  • "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
  • "Beauty & the Beast" (Bakersfield Music Theatre)
Best Drama:
  • "A Few Good Men" (The Spotlight Theatre)
  • "Angels In America" (The Empty Space)
  • "Of Mice and Men" (The Empty Space)
  • "Stop Kiss" (The Empty Space)
Best Comedy:
  • "Love, Sex, and the IRS" (Bakersfield Community Theatre)
  • "Plaza Suite" (Stars Theatre/Bakersfield Music Theatre)
  • "The Altruists" (The Empty Space)
  • "Spider Baby: The Musical" (The Empty Space)
Best Original or Adapted work:
  • "Hatikvah," Hal Friedman
  • "Spider Baby: The Musical," Enrique Acosta, Brent Simms and Lorien Patton
  • "This Ain't Your Mama's Chili," Betty Briscoe (from Bakersfield Community Theatre's annual Original One Act Play Festival)
  • "Dracula," David Zent
Best Director:
  • Hal Friedman, "Angels In America"
  • Ashley Bretz, "The Vagina Monologues"
  • David Lollar, "Cabaret"
  • Ron Steinman, "Beauty and the Beast"
  • Roger Mathey, "A Few Good Men"
Best Actor:
  • Doug Cheesman (Emcee), "Cabaret"
  • John Patrick Wells (Prior), "Angels In America"
  • Brian Sivesind (Roy Cohn), "Angels In America"
  • Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
Best Actress:
  • Jenny Hatzman (Harper), "Angels In America"
  • Monique Gomez (The Witch), "Into the Woods"
  • Sheila McClure (Sally Bowles), "Cabaret"
  • Guinevere Park-Hall (Sara), "Stop Kiss"
Best Supporting Actor:
  • Joe Cannon (Caiaphas), "Jesus Christ Superstar"
  • Maurice Pittman (Mr. Lies/Belize), "Angels In America"
  • Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
  • Brandon Turner (Cassius), "Julius Caesar"
Best Supporting Actress:
  • Veronica Stinchfield (Baker's Wife), "Into the Woods"
  • Monique Gomez (Mary), "Jesus Christ Superstar"
  • Elisabeth Lepine (Ursula), "Much Ado About Nothing"
  • Tracy Herda (Cybil), "The Altruists"
Best Actor in a Musical Performance:
  • Ken Burdick (Sweeney Todd), "Sweeney Todd: The Demon Barber of Fleet Street"
  • Joe Cannon (Caiaphas), "Jesus Christ Superstar"
  • Andrew Hupp (The Baker), "Into the Woods"
  • Mylum Nicholson, "The Songs for A New World"
Best Actress in a Musical Performance:
  • Monique Gomez (The Witch), "Into the Woods"
  • Candice Halfacre (Cinderella), "Into the Woods"
  • Marcy Dow (Belle), "Beauty and the Beast"
  • Jill Burdick (Rapunzel), "Into the Woods"
Best Comedic Performance (male):
  • Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
  • Richie Bench (Leeslie Arthur), "Love, Sex, and the IRS"
  • Jeremiah Heitman (Ronald), "The Altruists"
  • Jason McClain (Jesse Kiplinger), "Plaza Suite
Best Comedic Performance (female):
  • Cory Rickard (Beatrice), "Much Ado About Nothing"
  • Rosie Ayala (Mauriel Tate), "Plaza Suite"
  • Monique Gomez, "The Pajama Game"
  • Alana Peck (Kate Dennis), "Love, Sex and the IRS"
Breakthrough Performance:
  • Colette Masala, "The Vagina Monologues"
  • Mylum Nicholson, "The Songs For A New World"
  • Guinevere Park-Hall, "Stop Kiss"
  • Julia Heaterwick, "The Vagina Monologues"
Best Original Music:
  • Score to "Spider Baby: The Musical" (Enrique Acosta, Brent Simms and Lorien Patton)
  • Theme song to "Love, Sex and the IRS" (Richard Bench)
  • Original score for "Julius Caesar" (Robert Chan and Joel Walton)
  • Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
Best Music Orchestration/Production
  • "Jesus Christ Superstar" (The Spotlight Theatre)
  • "The Vagina Monologues" (The Empty Space)
  • "Cabaret" (The Empty Space)
  • "Joseph and the Amazing Technicolor Dreamcoat" (Bakersfield Music Theatre)
Best Duet/Solo Performance
  • "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
  • "King of the World," Mylum Nicholson (The Songs For A New World)
  • "I Don't Care," Doug Cheesman (Cabaret)
  • "Our Little World," Monique Gomez and Jill Burdick (Into the Woods)
Best Choreographed Sequence for the Stage:
  • "What Are They Thinking" from "Spider Baby"
  • "The Wear and Say Lists" from "The Vagina Monologues"
  • "Crucifiction" from "Jesus Christ Superstar"
  • "The Death of Caesar" from "Julius Caesar"
Best Choreography:
  • "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
  • "Jesus Christ Superstar" (Monique Gomez)
  • "Beauty and the Beast" (Brent Rochon and Sarah Giorgis)
  • "The Pajama Game"
  • "Teatro Bizarro" (Terri Cline)
Best Lighting:
  • "A Few Good Men" (The Spotlight Theatre)
  • "Julius Caesar" (The Empty Space)
  • "On the Verge" (The Spotlight Theater)
  • "Beauty and the Beast" (Bakersfield Music Theatre)
Best Original Set Design:
  • "Into the Woods" (The Spotlight Theatre)
  • "On the Verge" (The Spotlight Theatre)
  • "Teatro Bizarro" (Stars/Bakersfield Music Theater)
  • "Casablanca" (Candlelight Dinner Theatre)
  • "SubUrbia" (The Empty Space)
Best Original Costuming/Makeup:
  • "The Vagina Monologues" (The Spotlight)
  • "Angels In America" (The Empty Space)
  • "Into the Woods" (The Spotlight)
  • "Cabaret" (The Empty Space)
  • "On the Verge," (The Spotlight)

158 Comments:

  • At 7:03 AM, Anonymous Anonymous said…

    LOCAL THEATER

    General Excellence:
    The Spotlight Theatre and Cafe

    Best Production:
    "Angels In America" (The Empty Space)

    Best Production No One Saw
    "A Few Good Men" (The Spotlight)

    Best Musical:
    "Into the Woods" (The Spotlight Theatre)

    Best Drama:
    "Angels In America" (The Empty Space)

    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)

    Best Original or Adapted work:
    "Hatikvah," Hal Friedman

    Best Director:
    Roger Mathey, "A Few Good Men"

    Best Actor:
    Brian Sivesind (Roy Cohn), "Angels In America"

    Best Actress:
    Jenny Hatzman (Harper), "Angels In America"

    Best Supporting Actor:
    Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"

    Best Supporting Actress:
    Elisabeth Lepine (Ursula), "Much Ado About Nothing"

    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"

    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"


    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"

    Best Comedic Performance (female):
    Alana Peck (Kate Dennis), "Love, Sex and the IRS"

    Breakthrough Performance:
    Julia Heaterwick, "The Vagina Monologues"

    Best Original Music:
    Theme song to "Love, Sex and the IRS" (Richard Bench)
    Original score for "Julius Caesar" (Robert Chan and Joel Walton)

    Best Music Orchestration/Production
    "The Vagina Monologues" (The Empty Space)

    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)

    Best Choreographed Sequence for the Stage:
    "The Wear and Say Lists" from "The Vagina Monologues"

    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)

    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)

    Best Original Set Design:
    "Casablanca" (Candlelight Dinner Theatre)

    Best Original Costuming/Makeup:
    "Angels In America" (The Empty Space)

     
  • At 10:42 AM, Anonymous Anonymous said…

    General Excellence:
    The Empty Space

    Best Production:
    "The Vagina Monologues" (The Empty Space)

    Best Production No One Saw
    "The Altruists" (The Empty Space)

    Best Musical:
    "Beauty & the Beast" (Bakersfield Music Theatre)

    Best Drama:
    "Stop Kiss" (The Empty Space)

    Best Comedy:
    "The Altruists" (The Empty Space)

    Best Original or Adapted work:
    "Hatikvah," Hal Friedman

    Best Director:
    Ashley Bretz, "The Vagina Monologues"

    Best Actor:
    John Patrick Wells (Prior), "Angels In America"

    Best Actress:
    Guinevere Park-Hall (Sara), "Stop Kiss"

    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"

    Best Supporting Actress:
    Tracy Herda (Cybil), "The Altruists"

    Best Actor in a Musical Performance:
    Ken Burdick (Sweeney Todd), "Sweeney Todd: The Demon Barber of Fleet Street"

    Best Actress in a Musical Performance:
    Jill Burdick (Rapunzel), "Into the Woods"

    Best Comedic Performance (male):
    Jeremiah Heitman (Ronald), "The Altruists"

    Best Comedic Performance (female):
    Cory Rickard (Beatrice), "Much Ado About Nothing"

    Breakthrough Performance:
    Guinevere Park-Hall, "Stop Kiss"

    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

    Best Music Orchestration/Production
    "Cabaret" (The Empty Space)

    Best Duet/Solo Performance
    "I Don't Care," Doug Cheesman (Cabaret)

    Best Choreographed Sequence for the Stage:
    "What Are They Thinking" from "Spider Baby"

    Best Choreography:
    "Beauty and the Beast" (Brent Rochon and Sarah Giorgis)

    Best Lighting:
    "Beauty and the Beast" (Bakersfield Music Theatre)

    Best Original Set Design:
    "SubUrbia" (The Empty Space)

    Best Original Costuming/Makeup:
    "Angels In America" (The Empty Space)

     
  • At 11:56 AM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Musical:
    "Into the Woods" (The Spotlight Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Roger Mathey, "A Few Good Men"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Supporting Actress:
    Veronica Stinchfield (Baker's Wife), "Into the Woods"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Lighting:
    "On the Verge" (The Spotlight Theater)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"

     
  • At 12:25 PM, Anonymous Anonymous said…

    General Excellence: The Spotlight Theatre and Cafe

    Best Production: "Beauty & the Beast" (Bakersfield Music Theatre)

    Best Production No One Saw: "A Few Good Men" (The Spotlight)

    Best Musical: "Beauty & the Beast" (Bakersfield Music Theatre)

    Best Drama:"A Few Good Men" (The Spotlight Theatre)

    Best Director: Ron Steinman, "Beauty and the Beast"

    Best Actor: Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"

    Best Actress: Monique Gomez (The Witch), "Into the Woods"

    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"

    Best Supporting Actress: Veronica Stinchfield (Baker's Wife), "Into the Woods"

    Best Actor in a Musical Performance: Ken Burdick (Sweeney Todd), "Sweeney Todd: The Demon Barber of Fleet Street"


    Best Actress in a Musical Performance: Marcy Dow (Belle), "Beauty and the Beast"


    Breakthrough Performance: Julia Heaterwick, "The Vagina Monologues"

    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

    Best Music Orchestration/Production: "Jesus Christ Superstar" (The Spotlight Theatre)

    Best Duet/Solo Performance: "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)

    Best Choreography: "Beauty and the Beast" (Brent Rochon and Sarah Giorgis)

    Best Lighting: "A Few Good Men" (The Spotlight Theatre)

    Best Original Set Design: "Into the Woods" (The Spotlight Theatre)

    Best Original Costuming/Makeup: "Into the Woods" (The Spotlight)

     
  • At 3:02 PM, Anonymous Anonymous said…

    Best drama--Stop Kiss
    Best actress--Guinevere Park-Hall (Stop Kiss)
    Best breakthrough performance--Guinevere Park-Hall (Stop Kiss)
    Best director/musical production--David Lollar (Cabaret)

     
  • At 3:05 PM, Anonymous Anonymous said…

    General Excellence:
    The Empty Space

    Best Production:
    "Cabaret" (The Empty Space)

    Best Production No One Saw
    "A Few Good Men" (The Spotlight)

    Best Musical:
    "Cabaret" (The Empty Space)

    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)

    Best Comedy:
    "Love, Sex, and the IRS"

    Best Original or Adapted work:
    "Hatikvah," Hal Friedman

    Best Director:
    Roger Mathey, "A Few Good Men"

    Best Actor:
    Doug Cheesman (Emcee), "Cabaret"

    Best Actress:
    Monique Gomez (The Witch)

    Best Supporting Actor:
    Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"

    Supporting Actress:
    Elisabeth Lepine (Ursula), "Much Ado About Nothing"

    Best Actor in a Musical Performance:
    Andrew Hupp (The Baker), "Into the Woods"

    Best Actress in a Musical Performance:
    Candice Halfacre (Cinderella), "Into the Woods"

    Best Comedic Performance (male):
    Richie Bench (Leeslie Arthur), "Love, Sex, and the IRS"

    Best Comedic Performance (female):
    Alana Peck (Kate Dennis), "Love, Sex and the IRS"

    Breakthrough Performance:
    Colette Masala, "The Vagina Monologues"

    Best Original Music:

    Theme song to "Love, Sex and the IRS" (Richard Bench)

    Best Music Orchestration/Production
    "Cabaret" (The Empty Space)
    Best Duet/Solo Performance
    "I Don't Care," Doug Cheesman (Cabaret) "Our Little World,"

    Best Choreographed Sequence for the Stage:
    "The Wear and Say Lists" from "The Vagina Monologues"

    Best Choreography:
    "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)

    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)

    Best Original Set Design:

    "Casablanca" (Candlelight Dinner Theatre)"SubUrbia" (The Empty Space)

    Best Original Costuming/Makeup:
    "Cabaret" (The Empty Space)

     
  • At 3:09 PM, Anonymous Anonymous said…

    General Excellence:

    The Spotlight

    Best procudction:

    "Angels in America"

    Best Show no one Saw:

    "A Few Good Men"

    Best Musical:

    "Into The Woods"

    Best Drama:

    "Angels in America"

    Best Comedy:

    "Love, Sex, and the IRS"

    Best Original:

    "Hatikvah" By Hal Friedman

    Best Director:

    Hal Friedman "Angels in America"

    Best Actor: Brian Sivisend

    Best Actress: Jenny Hatzman

    Best Supporting Actor: Doug Cheesman

    Best Supporting Actress: Veronica Stinchfield

    Best Actor in a Musical: Ken Burdick

    Best Actress in a Musical: Monique Gomez

    Best Comedic Performance (Male): Jason Gonzales

    Best Comedic Performance (Female): Monique Gomez

    Breakthrough Performance: Mylum Nicholson

    Best Original Music: Love SeX and IRS

    Best Music Orchestration: "The Vagina Monologues"

    Best Duet: Agony

    Best Choreogrphed Sequence: Crucifixion

    Best Choreography: The Pajama Game

    Best Lighting: "A Few Good Men"

    Best Set: Into the Woods

    Best Costuming: Into the Woods

     
  • At 3:31 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 3:32 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 3:33 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 3:35 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 3:36 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 3:37 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

     
  • At 3:38 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 3:52 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "Angels In America" (The Empty Space)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Supporting Actress:
    Veronica Stinchfield (Baker's Wife), "Into the Woods"
    Best Actor in a Musical Performance:
    Andrew Hupp (The Baker), "Into the Woods"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Alana Peck (Kate Dennis), "Love, Sex and the IRS"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Score to "Spider Baby: The Musical" (Enrique Acosta, Brent Simms and Lorien Patton)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "King of the World," Mylum Nicholson (The Songs For A New World)
    Best Choreographed Sequence for the Stage:
    "What Are They Thinking" from "Spider Baby"
    Best Choreography:
    "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Cabaret" (The Empty Space)

     
  • At 4:13 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "Angels In America" (The Empty Space)
    Best Production No One Saw: "Our Town" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space)
    Best Drama: "Angels In America" (The Empty Space)
    Best Comedy: "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work: "Hatikvah," Hal Friedman
    Best Director: David Lollar, "Cabaret"
    Best Actor: Doug Cheesman (Emcee), "Cabaret"
    Best Actress: Sheila McClure (Sally Bowles), "Cabaret"
    Best Supporting Actor: Maurice Pittman (Mr. Lies/Belize), "Angels In America"
    Best Supporting Actress: Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance: Ken Burdick (Sweeney Todd), "Sweeney Todd: The Demon Barber of Fleet Street"
    Best Actress in a Musical Performance: Marcy Dow (Belle), "Beauty and the Beast"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Best Original Music: Original score for "Julius Caesar" (Robert Chan and Joel Walton)
    Best Music Orchestration/Production: "Cabaret" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "What Are They Thinking" from "Spider Baby"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Beauty and the Beast" (Bakersfield Music Theatre)
    Best Original Set Design: "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup: "Cabaret" (The Empty Space)

     
  • At 4:41 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Space Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Musical:
    "Into the Woods" (The Spotlight Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Roger Mathey, "A Few Good Men"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Supporting Actress:
    Veronica Stinchfield (Baker's Wife), "Into the Woods"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Lighting:
    "On the Verge" (The Spotlight Theater)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 4:43 PM, Anonymous Anonymous said…

    Supporting Actor: Joe Cannon (Caiaphas), "Jesus Christ Superstar"

     
  • At 4:44 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Musical:
    "Sweeney Todd" (The Spotlight Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Show No One Saw:
    "On the Verge", Spotlight Theatre and Cafe
    Best Director:
    Roger Mathey, "A Few Good Men"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actress:
    Veronica Stinchfield (Baker's Wife), "Into the Woods"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Lighting:
    "On the Verge" (The Spotlight Theater)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 4:48 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Musical:
    "Into the Woods" (The Spotlight Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Roger Mathey, "A Few Good Men"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Supporting Actress:
    Veronica Stinchfield (Baker's Wife), "Into the Woods"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Lighting:
    "On the Verge" (The Spotlight Theater)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 4:55 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 4:56 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 4:57 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 4:57 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 5:01 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 5:02 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 5:02 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 5:03 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 5:03 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 5:04 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 5:17 PM, Anonymous Anonymous said…

    LOCAL THEATER

    General Excellence:

    Stars Theatre Restuarant/Bakersfield Music Theatre

    Best Production:

    "Angels In America" (The Empty Space)


    Best Production No One Saw

    "A Few Good Men" (The Spotlight)


    Best Musical:

    "Beauty & the Beast" (Bakersfield Music Theatre)

    Best Drama:

    "Angels In America" (The Empty Space)

    Best Comedy:

    "Plaza Suite" (Stars Theatre/Bakersfield Music Theatre)

    Best Original or Adapted work:

    "This Ain't Your Mama's Chili," Betty Briscoe

    Best Director:

    Hal Friedman, "Angels In America"

    Best Actor:

    Brian Sivesind (Roy Cohn), "Angels In America"


    Best Actress:

    Jenny Hatzman (Harper), "Angels In America"


    Best Supporting Actor:

    Maurice Pittman (Mr. Lies/Belize), "Angels In America"

    Best Supporting Actress:


    Elisabeth Lepine (Ursula), "Much Ado About Nothing"


    Best Actor in a Musical Performance:

    Ken Burdick (Sweeney Todd), "Sweeney Todd: The Demon Barber of Fleet Street"

    Best Actress in a Musical Performance:

    Marcy Dow (Belle), "Beauty and the Beast"


    Best Comedic Performance (male):

    Jason McClain (Jesse Kiplinger), "Plaza Suite

    Best Comedic Performance (female):

    Rosie Ayala (Mauriel Tate), "Plaza Suite"


    Best Music Orchestration/Production


    "Joseph and the Amazing Technicolor Dreamcoat" (Bakersfield Music Theatre)

    Best Duet/Solo Performance


    "I Don't Care," Doug Cheesman (Cabaret)
    "Our Little World," Monique Gomez and Jill Burdick (Into the Woods)

    Best Choreographed Sequence for the Stage:

    "What Are They Thinking" from "Spider Baby"


    Best Choreography:


    "Beauty and the Beast" (Brent Rochon and Sarah Giorgis)


    Best Lighting:


    "Beauty and the Beast" (Bakersfield Music Theatre)

    Best Original Set Design:


    "Teatro Bizarro" (Stars/Bakersfield Music Theater)
    If you saw this set, you would agree. It was breathtaking.

    Best Original Costuming/Makeup:


    "Angels In America" (The Empty Space)

     
  • At 5:23 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

     
  • At 5:24 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:25 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:25 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

     
  • At 5:26 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

     
  • At 5:26 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

     
  • At 5:27 PM, Anonymous Anonymous said…

    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:27 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:28 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

     
  • At 5:28 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

     
  • At 5:29 PM, Anonymous Anonymous said…

    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:29 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:30 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:30 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:30 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:31 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:31 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:31 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:31 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:32 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"

     
  • At 5:32 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:32 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:33 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:33 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:33 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:34 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:34 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:34 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:35 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 5:35 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 6:54 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Angels In America" (The Empty Space)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street"/ "Into The Woods"
    Best Drama:
    "Angels In America" (The Empty Space)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    John Patrick Wells (Prior), "Angels In America"
    Best Actress:
    Jenny Hatzman (Harper)"Angels In America"
    Best Supporting Actor:
    Brandon Turner (Cassius), "Julius Caesar"
    Best Supporting Actress:
    Veronica Stinchfield (Baker's Wife), "Into the Woods"
    Best Actor in a Musical Performance:
    Ken Burdick (Sweeney Todd), "Sweeney Todd: The Demon Barber of Fleet Street"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Original Music:
    Score to "Spider Baby: The Musical" (Enrique Acosta, Brent Simms and Lorien Patton)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:22 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:22 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:22 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:23 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:24 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:41 PM, Anonymous Anonymous said…

    boy, you have to be determined to do this!!! --not format-friendly! here goes... gen ex: empty space; best prod: sweeney todd; best musical: sweeney todd; best drama: stop kiss; best comedy: spider baby; best orig: spider baby; best adapted work: spider baby; best dir: angels in america; best actor: jp wells; best actress: guin p-hall; ........ best musical actress: JILL BURDICK... best comedic actress: corey rickard; ... i think i'd better stop. i also vote for that guy who resembles french smith whom i saw in spider baby and in sweeney todd--very talented guy. so much talent in bakersfield: amazing.

     
  • At 7:42 PM, Anonymous Anonymous said…

    oh yes-- and monique gomez... very talented!!

     
  • At 8:37 PM, Anonymous Anonymous said…

    General Excellence:
    The Empty Space

    Best Production:
    "Angels In America" (The Empty Space)

    Best Production No One Saw
    "A Few Good Men" (The Spotlight)

    Best Musical:
    "Into the Woods" (The Spotlight Theatre)

    Best Drama:
    "Of Mice and Men" (The Empty Space)

    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)

    Best Original or Adapted work:
    "Hatikvah," Hal Friedman

    Best Director:
    Hal Friedman, "Angels In America"

    Best Actor:
    Doug Cheesman (Emcee), "Cabaret"

    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"

    Best Supporting Actor:
    Brandon Turner (Cassius), "Julius Caesar"

    Best Supporting Actress:
    Veronica Stinchfield (Baker's Wife), "Into the Woods"

    Best Actor in a Musical Performance:
    Ken Burdick (Sweeney Todd), "Sweeney Todd: The Demon Barber of Fleet Street"

    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"

    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"

    Best Comedic Performance (female):
    Alana Peck (Kate Dennis), "Love, Sex and the IRS"

    Best Original Music:
    Theme song to "Love, Sex and the IRS" (Richard Bench)

    Best Music Orchestration/Production
    "Cabaret" (The Empty Space)

    Best Duet/Solo Performance
    "Our Little World," Monique Gomez and Jill Burdick (Into the Woods)

    Best Choreographed Sequence for the Stage:
    "The Death of Caesar" from "Julius Caesar"

    Best Choreography:
    "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)

    Best Lighting:
    "Julius Caesar" (The Empty Space)

    Best Original Set Design:
    "Casablanca" (Candlelight Dinner Theatre)

    Best Original Costuming/Makeup:
    "Cabaret" (The Empty Space)

     
  • At 8:46 PM, Anonymous Anonymous said…

    General Excellence:
    The Empty Space

    Best Production:
    "Cabaret" (The Empty Space)

    Best Production No One Saw
    "Our Town" (The Empty Space)

    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)

    Best Drama:
    "Angels In America" (The Empty Space)

    Best Director:
    Ashley Bretz, "The Vagina Monologues"

    Best Actor:
    Doug Cheesman (Emcee), "Cabaret"

    Best Actress:
    Jenny Hatzman (Harper), "Angels In America"

    Best Supporting Actor:
    Maurice Pittman (Mr. Lies/Belize), "Angels In America"

    Best Actor in a Musical Performance:
    Ken Burdick (Sweeney Todd), "Sweeney Todd: The Demon Barber of Fleet Street"

    Best Actress in a Musical Performance:
    Marcy Dow (Belle), "Beauty and the Beast"

    Breakthrough Performance:
    Guinevere Park-Hall, "Stop Kiss"

    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

    Best Music Orchestration/Production
    "Cabaret" (The Empty Space)

    Best Duet/Solo Performance
    "I Don't Care," Doug Cheesman (Cabaret)

    Best Choreographed Sequence for the Stage:
    "The Wear and Say Lists" from "The Vagina Monologues"

    Best Choreography:
    "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)

    Best Original Costuming/Makeup:
    "The Vagina Monologues" (The Spotlight)

     
  • At 9:36 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:36 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:37 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:37 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:38 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 9:39 PM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 10:30 PM, Anonymous Anonymous said…

    Here are my votes

    General Excellence:
    The Empty Space

    Best Production:
    "Cabaret" (The Empty Space)

    Best Production No One Saw
    Our Town" (The Empty Space)

    Best Musical:
    "Cabaret" (The Empty Space)

    Best Drama:
    "Of Mice and Men" (The Empty Space)

    Best Comedy:
    Spider Baby: The Musical" (The Empty Space)

    Best Original or Adapted work:
    Spider Baby: The Musical," Enrique Acosta, Brent Simms and Lorien Patton

    Best Director:
    David Lollar, "Cabaret"

    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"

    Best Actress:
    Jenny Hatzman (Harper), "Angels In America"

    Best Supporting Actor:
    Brandon Turner (Cassius), "Julius Caesar"

    Best Supporting Actress:
    Tracy Herda (Cybil), "The Altruists"

    Best Actor in a Musical Performance:
    Ken Burdick (Sweeney Todd), "Sweeney Todd: The Demon Barber of Fleet Street"

    Best Actress in a Musical Performance:
    can't decide

    Best Comedic Performance (male):
    Richie Bench (Leeslie Arthur), "Love, Sex, and the IRS"

    Best Comedic Performance (female):
    Rosie Ayala (Mauriel Tate), "Plaza Suite"

    Breakthrough Performance:
    Julia Heaterwick, "The Vagina Monologues"

    Best Original Music:
    Score to "Spider Baby: The Musical" (Enrique Acosta, Brent Simms and Lorien Patton)

    Best Music Orchestration/Production
    The Vagina Monologues" (The Empty Space)

    Best Duet/Solo Performance
    "I Don't Care," Doug Cheesman (Cabaret)

    Best Choreographed Sequence for the Stage:
    What Are They Thinking" from "Spider Baby"

    Best Choreography:
    "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)

    Best Lighting:
    "On the Verge" (The Spotlight Theater)

    Best Original Set Design:
    "SubUrbia" (The Empty Space)

    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:50 AM, Anonymous Anonymous said…

    General Excellence:
    The Spotlight Theatre and Cafe
    Best Production:
    "Into the Woods" (The Spotlight Theatre)
    Best Production No One Saw
    "A Few Good Men" (The Spotlight)
    Best Musical:
    "Sweeney Todd: The Demon Barber of Fleet Street" (The Spotlight Theater)
    Best Drama:
    "A Few Good Men" (The Spotlight Theatre)
    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)
    Best Original or Adapted work:
    "Hatikvah," Hal Friedman
    Best Director:
    Hal Friedman, "Angels In America"
    Best Actor:
    Ken Burdick (Sweeney Todd), "Sweeny Todd: The Demon Barber of Fleet Street"
    Best Actress:
    Monique Gomez (The Witch), "Into the Woods"
    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Supporting Actress:
    "Into the Woods" Monique Gomez (Mary), "Jesus Christ Superstar"
    Best Actor in a Musical Performance:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"
    Best Actress in a Musical Performance:
    Monique Gomez (The Witch), "Into the Woods"
    Best Comedic Performance (male):
    Jason Gonzales (Jon Trachtman), "Love, Sex, and the IRS"
    Best Comedic Performance (female):
    Monique Gomez, "The Pajama Game"
    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "Jesus Christ Superstar" (The Spotlight Theatre)
    Best Duet/Solo Performance
    "Agony," Ken Burdick and Greg Ramsdell (Into the Woods)
    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"
    Best Choreography:
    "Jesus Christ Superstar" (Monique Gomez)
    Best Lighting:
    "A Few Good Men" (The Spotlight Theatre)
    Best Original Set Design:
    "Into the Woods" (The Spotlight Theatre)
    Best Original Costuming/Makeup:
    "Into the Woods" (The Spotlight)

     
  • At 7:50 AM, Anonymous Anonymous said…

    This comment has been removed by a blog administrator.

     
  • At 11:07 AM, Anonymous Anonymous said…

    I don't think this is a broad scope of Theatre in the city. How do we know everyone who is voting has seen all the shows, and also hasn't voted for themselves ten times? This is not an accurate perception. I hope people who are outside the theater family, will have a chance to vote.

     
  • At 1:04 PM, Anonymous Anonymous said…

    As a patron of the Arts, I wholeheartedly AGREE with the last posting. How do we know that these are ACCURATE votes that are reflective of people who have ACTUALLY seen these shows?

    ANYONE who has actually seen the lastest production of "The Vagina Monologues" at The Empty Space KNOWS that those women were superlative in their respective roles. Colette Masala and Julia Heatherwick (not Heaterwick) were excellent in their roles as was the ENTIRE cast and production crew. To have to choose between them is a tough decision but I would have to give the edge to Colette. She played the "Coochi Snorcher" like a professional actress. She was dynamic and spirited and brought out the true essence of the character and the mission behind the entire concept of the production. Spectators left the theater feeling supportive of the cause and were raving about her (and the others) performance. The BAKERSFIELD CALIFORNIAN even featured a highlight of her performance and pretty much gave her this award of BREAKTHROUGH PERFORMER anyway. As the only woman of color in the production, she was spectacular in that role. Colette was integral in assuring the show's acclaimed success and this particular performance run has gained national attention by other theater groups performing "The Vagina Monologues" by the sheerimpact its success has had on the movement. I even read in one article that Colette & some of her castmates have spoken with audience members whom have credited them with talking about their own 'secret' abuses and aided them on the road to recovery. I even began to think about my own past. THIS is the essence of theater.I hope to get to meet the cast in person during the next run.

    Those of you who are voting solely on friendships or repeatedly voting for yourselves numerous times in a row (as is evident in the last 20 blogs prior to the last comment) should really reconsider what Danielle is trying to accomplish. You diminish the award. Let's let the votes stem from the audiences whom support these local theater productions. After all, as a patron of the arts, I am offended that one perfomer chooses to try and take that away from us by shady practices. Ask your friends or colleagues whom have attended some of these shows (esp. more than the one you are performing in) make the judgment. Then the award will actually mean more than whose DSL is faster.

    In addition to Colette & Julia, I applaud the efforts of Ashley Bretz for a superb directing job. I will miss her on the next run of the show. However, those of you whom are theater enthusiasts and supporters of the movement to stop violence against women will be PLEASED to know that Colette is returning the next performance run. This time, she will star in the role of "My Angry Vagina". I, for one, will be there in the front row to acquire information to soothe my own angry vagina!

    I was hesitant to even go this show, but I'm glad that I did. It, along with Cabaret, were the best local performances out there this last season. Not to take anything away from the other theaters, performers or productions, but this award is about the BEST of the BEST - so we should vote for the BEST of the BEST. It is an honor to even be mentioned as a nominee. That said, fans of "The Vagina Monologues", please BLOG (honestly) a vote for our ladies (& gentlemen)!!

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 1:12 PM, Anonymous Anonymous said…

    AMEN! COLETTE WAS SPECTACULAR! I actually did see the performances so I agree that only patrons should get to decide. If the performers themselves want to decide, then they should come up with their own awards.

    "My Angry Vagina", huh? I hear that is the coveted assignment. Gaye did a great job last time around but I can't wait to travel to The Empty Space to see Colette's rendition of the character.

    BTW, good job Julia! Congratulations on your nomination as well. You were great! I always knew what an orgasm FELT like but I never knew what it LOOKED like! I hope you will return to the production soon.

    Here's my votes:
    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

     
  • At 2:01 PM, Anonymous Anonymous said…

    After several of my girl friends had seen the show, we decided to take the trip to Southern California for the show. We traveled a long way to to see this particular production of "The Vagina Monologues" and it was the worth the trip! I have seen 3 other versions of this production and this one definitely earned this award. Colette and Julia were fabulous.

    My advice to you, Danielle, is to read each vote and perhaps consider, eliminating the "obvious" phony ones (y'know, the 15 or 20 in a row with the exact same slate!?!). Come on, we all have opinions but let's try an dbe fair about the voting. This is the main reason I don't like voting by blogger. Anyway, this production deserves its acclaim. ALL of the performers were spectacular - not one weak link in the entire crew. While many of the other productions were really good, only a few standouts can be honestly mentioned. They simply paled in comparison.

    My vote is for everything Vagina Monologuish!

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues" (The Spotlight)

    Peace & Prosperity to All!

     
  • At 3:04 PM, Anonymous Anonymous said…

    I agree with the last posting, although there were some performers who should have been recognized, and they were not. However, the whole ensemble is what contributed to the success of the show, as well as the director's vision...How come Hurry Up Santa wasn't mentioned? I saw the show last year and this year and I just think it's so great! I think Ms. Belton is so kind to do this.

     
  • At 3:15 PM, Blogger Danielle Belton said…

    Geez-a-lou, folks! I'm impressed! And heck, some of you are (gasp) actually swaying my opinion.

    That said to clear up a thing or three: Best Production is essentially the award for the best put together, acted, directed, cast and produced play. That's the catch-all category.

    Seocondly, originally I had six nominees for nearly all the categories. I wanted to give out awards to A LOT of people. Then it dawned on me that I was only going to pick one, so I better dump a few folks. Believe me, it was hard to cut people.

    Thirdly, I'm so glad that you're all having fun with this as this was a fun theater season. But dude, you guys have got to stop double (triple, quintuple) posting the same entries. I want some discussion going on here and you're making people's eyes glaze over. You like the Vaginas. You like Into the Woods. I GET IT! So ... um ... when I like tabulate the popular vote versus my own picks, I'm going to be dropping a few "ballots."

    Understood?

    That said,thanks and keep 'em coming. Let's debate those shows! Why is Into the Woods so great? Why was V-Day the best! Come on!

    Fight! Fight!

    Love,

    Danielle

     
  • At 4:09 PM, Anonymous Anonymous said…

    Hola Danielle & Fellow Bloggers:
    Thanks Danielle for personally addressing us! Why was V-Day the best?

    First, an exceptional director with vision beyond the words scripted on the pages made this particular production work for me. I have seen a few of the versions and this one was the most well executed.

    Secondly, a superb cast that took their roles to heart (and vagina, if you will). ALL of the ladies worked well together and seemed to really connect as performers and as soldiers in this fight for women.

    Their "Talk Back Session" after their benefit was enlightening as it truly showed that the women were not just performers but REAL women with REAL stories behind the stories that they told onstage. You could actually feel their pain and rage and desires and THAT, my friends, is what GREAT DRAMA is about.

    I, too, would have liked to have seen more of the women nominated, but agree with Danielle's final 2 choices as they were not seasoned professionals but artists whom experienced their breakthrough performances right before our watchful eyes. I, too, read the article in the Eye Entertainment and was intrigued to see why the writer liked Ms. Masala's perfomrance so much. Some of my girlfriends and I went to the show and she was A PIECE OF WORK! We, especially women, need to give other women their props when deserved.

    I understand that Colette is a newcomer to the local theater scene, but she portrayed that character with finesse and genuine presence. She seemed to be in incredible control of her emotions for an amateur. I met her backstage and she is much more humble than one would think after listening to her talk about her vagina off and on fgor 2 hours! She deserves the award. I also enjoyed Julia's performance. Her orgasmic displays would make the most stoic of us move around in our seats for a more comfortable position. She definitely made my vagina think about happiness! I couldn't wait to get home to my husband!! I am even have him wanting to go to the next performance to see what all of the fuss is about!

    Ashley deserves the Director award. The Vagina Monologues was the hit of the year. Give it to 'em.

    The costumes, makeup, music, set designs - all of it was on point. The live music really made the difference. I really did not expect to enjoy myself as much as I did. I'm really a private person and have never, never, never talked about my vagina in public. (Sorry, Mom!) This one was more fun than Beach Blanket Bingo!

    I also liked "Cabaret". As a Steinbeck fan, I thought "Of Mice and Men" was well done.

    hasta! Drama Queen

     
  • At 4:13 PM, Anonymous Anonymous said…

    Oops! Drama Queen forgot to vote!!

    Here y'go Danielle. COunt mine, they're REAL!!

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues"

    hasta!

     
  • At 4:33 PM, Anonymous Anonymous said…

    I think that people, especially women, are so impressed by Ashley Bretz's production of "The Vagina Monologues" because the casting was so right on. The women seemed made for the roles that they were cast in. Besides the music and the dancers made it a lively, interactive performance. The reason I think that this show was the best has nothing to do with the other productions. It is simply based on how it made me feel. It was nice to see women so comfortable talking about something so painful. It really helps those of us who have struggled or may be struggling through our own pain, I am not sure of the motivating factors for the actresses, musicians, dancers, set designers, director and the rest of the production crew, but, as a woman healing from the scars of abuse, I knew that they were talking to me. I liked both Julia's and Colette's performances so it is hard to choose. I will vote for Colette because I heard that this is truly her first real live performance and I would never have been to guess that. I also want to vote for Ashley for Director, the guys for the best music and the choreographer. Oh, yeah, and the costume and makeup people too. The theater should win the award because of its willingness to address this very touchy, still taboo subject. It's 2004 and some people still are unafraid of women and their "voice box"!

    Seriously though, it is a great production and is deserving of the award.

    Danielle said she wanted us to rumble. Well, my gloves are on and I'm ready to fight for V-Day and so are my girlfriends whom enjoyed the show! My fellow V-Day supporters SPEAK UP!

     
  • At 4:41 PM, Anonymous Anonymous said…

    General Excellence: The Empty Space
    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Musical: "Cabaret" (The Empty Space) "
    Best Drama: "Of Mice and Men" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Best Actress: Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actor: Doug Cheesman (MC Lt. Kendrick), "A Few Good Men"
    Best Comedic Performance (female): Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance: "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage: "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography: "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting: "Julius Caesar" (The Empty Space)
    Best Original Set Design: "SubUrbia" (The Empty Space)
    Best Original Costuming/Makeup: "The Vagina Monologues"

    go v-day!
    -ap

     
  • At 5:12 PM, Anonymous Anonymous said…

    Best Production: "The Vagina Monologues" (The Empty Space)
    Best Director: Ashley Bretz, "The Vagina Monologues"
    Breakthrough Performance: Colette Masala, "The Vagina Monologues"
    Best Original Music: Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)

    BEST AWARDS FORUM: DANIELLE BELTON!!

    Thanks for doing this for these hardworking folks who keep us entertained all year!

     
  • At 5:19 PM, Anonymous Anonymous said…

    Wow! A lot of Vagina Monologue fans tuned in!

    Danielle, I have to say that I agree with some of your other writers. The ones with comments not the obvious fakers! Colette may just be your Halle Berry this year! She even has the hair cut (based on the photo in the paper)! Really though, ALL those women and their production crew did a great job with the monologues!

    I applaud ALL of the wonderful talent nominated and wish you all great success. I know from experience how hard it is to do what you do. And to do it well, well, that's deserving of an award far greater than I can give. But, since someone must do the dramatic acceptance speech, I choose Colette Masala for her Vagina Monologues performance and Ashley Bretz for her Directing of that show. Additionally, I choose the entire cast of the show for the best production award and the original music. We had a great time watching them do their thing!
    Me

    P.S. Julia, you were terrifically funny and really 'hit the spot'!?!

     
  • At 5:26 PM, Anonymous Anonymous said…

    Look people, let's keep it real. It takes a lot of nerve and self-esteem to totally undress iun front of a room full of strangers (unless you're a drunk sorority girl during pledge week but that's a different story altogether). I thought Gaye did a bang up job as the angry vagina in the vagina monologues but since she was not nominated, I have to vote for her likely successor for doing a great job first time out - Colette Masala. The lady was cool and calm and angry and happy and crying and all that. She delivered a great first performance and fit in with some pretty talented, experienced people like a pro. I know people like to hate on the newcomers but the gal was BAD and deserves her props. Ashley - you da woman! Julia and the rest of the crew were good too. Shake a tailfeather mama - NOW THAT'S SOME MAMA DRAMA!
    c-ya!

     
  • At 7:36 PM, Anonymous Anonymous said…

    Ok,ok, The Vagina Monologues was wonderful but so were a dozen other shows this year. Hats off to Julia S. who was hilarious in this show and in Clue and the Spotlight's Christmas show. She should have been nominated for comedic actress of the year. Ken Burdick was wonderful in Sweeny Todd, Forever Plaid and Into the Woods and deserves best performance in a musical. The sleeper show for me, however; this year, was - Spider Baby; I couldn't stop laughing. Andrew H. and Kayla F. were standouts for me. I have to admit, though I have been in shows at the Spotlight and other theaters this year. My favorite 2 shows were Cabaret - Doug Cheeseman was brilliant, hillarious and yet chilling. He gets my vote for performer of the year! Much Ado About Nothing was a fantastic adaptation and also very funny. The Empty Space continues to produce excellent shows and draw amazing talent.My only regret this year was that I was unable to see John P.W. in Angels in America, but I am sure he was wonderful as always. Hats off to all the hard working talent in Bakersfield. See all of you in 2005.

    my vote:

    General Excellence: The Empty Space
    Best Production: Cabaret
    Best Show Nobody Saw:A Few Good Men
    Best Musical: Cabaret/Into the Woods
    Best Drama: Of Mice and Men
    Best Comedy: Spider Baby
    Best Original Work: Spider Baby
    Best Director: Hal Friedman
    Best Actor: Doug Cheesman -Emcee in Cabaret
    Best Actress Monique Gomez -Into the Woods
    Best Supporting Actor: Joe Cannon - Superstar/Sweeny T.
    Best Actor in a Musical: Ken Burdick - Sweeny Todd
    Best Actress in a Musical: Jill Burdick - Into/Sweeny
    Best Male Comic Actor: Jason Gonzales
    Best Female Comic Actress: Cory Rickard -Beatrice
    Best Music: Spider Baby
    Best Orchestration/Production: Cabaret
    Best Duet/Solo: "Agony" Ken B. and Greg R. -Into the Woods
    Best Choreographed sequence: What are they thinking -Spider Baby
    Best Choreography: Cabaret
    Best Lighting: Beauty and the Beast - BMT
    Best Original Set Design: Casablanca -Chip Lavely
    Best Costume/Makeup: Into the Woods -Spotlight

    My personal Honorable Mentions to Julia S. for comedic female -Vagina Monologues,Clue, Farnsdale Christmas Carol.
    Adam C. for musical performance -Sweeny Todd and Forever Plaid.
    and Ivan G. for Drama - A Few Good Men, Sweeny Todd.

     
  • At 10:20 PM, Anonymous Anonymous said…

    Best Break Through Performance: Ok, how can we overlook Ms. Heatherwick's outstanding moans!!!!??????? Come on!!!!! Have you ever laughed that hard??? The level of difficulty in her piece far outweighs many of the pieces in the show!!!! No one could do it better!!!!! My vote is for JULIA HEATHERWICK! That's the monologue that we all left the theatre talkin' about!!!! NO QUESTION ABOUT IT!!!!!

     
  • At 11:58 PM, Anonymous Anonymous said…

    Much love to the ladies of the Vagina Monologues. Some of ya'll really need to quit hating on them and give the ladies and crew their due! All of the ladies performed great. I also enjoyed Julia's piece and wanted to see more. She was funny and real at the same time. Still, I really enjoyed the coochi snorcher and the angry vagina perfomances by Colette and Gaye, respectively. Since Gaye was not nominated in this category, the nod for breakthrough performance has to go to Colette. I thought she was dynamic and dramatic in her pieces throughout the show. Ashley Bretz is a fine Director who deserves a lot of credit for pulling together this great cast and directing this fun, lively production. I really liked the cabaret version with the costumes and set. Plus, the music was off-the-hook!

    Best: The Empty Space, Vagina Monologues, Ashley Bretz, Colette Masala (even though I would like to vote for both Colette & Julia. They were both REALLY good.), also the Vagina Monologues for costumes and set designs and music and directing.

    Thanks to Danielle for recognizing our local pseudo-celebs! You just may be on to an annual favorite!

    Can't we just all get along - with our vaginas (and their owners)?! Vagina Monologues - you go girls! Paz.

     
  • At 12:31 AM, Anonymous Anonymous said…

    I was wondering why The Women of The Vagina Monologues weren't on the Best Actress/Best Supporting Actress list? I think Kathi Loughman, Barbra Gagnon, Jenna Widelock,Julia Heatherwick,Elisabeth lepine and Jackie Bennett were exceptional. Colette was phat in The Miracle Worker as her "break-through performance". This was in deed Julia Heatherwicks real Breakthrough "PROPA" performance. I loved the film in the show. I am so concerned with everyone's ranting about the Vagina Monologues, let's not forget that this is about ALL shows. I have something to say about "Cabaret"...This is one of my very favorite shows, however, the show I saw at The Empty Space this year was terribly dissapointing.I didn't care one way or another at the end...when usually you walk out feeling sick to your stomach, you walked out feeling happy...why? Why because Doug Cheesman was AWESOME and made you smile, however that's not the point of the story. Sally Bowles was not strong,Jason Monroe who I think is fantastic,great comedic timing always, was not exceptional in this. The directing was blah and to have young girls who arn't even 20 yet play the roles of the kit kat girls was offensive. Women and Wallace receives recognition to the whole cast. I thought the direction was tight, the simplicity was right on, and Jeff Lepine was excellent not to mention HOT. Suburbia was fricken cool! I was so impressed with the set, the acting, the timing and the design. I have to give recognition to The Empty Space Theatre. That theatre isn't helped by filthy rich people helping them to grow, it is a theatre where they, themselves, make it happen. I think above all, that theatre needs that award, and above all they continue to show their consistancy in this community for excellent theatre.
    AHHHHHHHHHHHHHHHHHH SNAP!

     
  • At 1:00 AM, Anonymous Anonymous said…

    What is the prob?! I thought this was a contest to speak up for the shows and performers that DESERVE to WIN! If the VM people support their pick, good for them. It was a great production - cast, crew, director, venue. I vote for VM for recognition for all of the above. Colette and Julia were both great and deserved to be nominated for the award. I don't think either of them have weighed in - even for themselves!

    The other blogger(s) are right. Give props where they are due. As in any good prize fight, rumble or get knocked out!

    My votes go to the ones who can 'move the crowd' - like Eric B & Rakim!

    Peace!

     
  • At 1:19 AM, Anonymous Anonymous said…

    OK, people, have you no shame?!? Voting for your own theaters or multiple voting (as if it wouldn't be noticed.... 15 votes for the same shows all occurring at the same time)?!? A theater should not get props because they do it with no money or with a ton of money... it should be based on the quality of the work! People complaining about who or who didn't get nominated? Give me a break! Most of you didn't even see the other shows that got nominations but are complaining you didn't get enough of them for YOUR show? Danielle has seen all these shows she is nominating... have you? If you have, raise your hand high and then plead the case for or against the other shows. But when you are bitching and moaning about the shows you were involved with not getting what you consider more credit and you didn't even see any other shows in town, well, sit down and shut up. Anonymous... nah. You wanna take it up with me, please do so. Roger Mathey

     
  • At 1:47 AM, Anonymous Anonymous said…

    Yes, "The Vagina Monologues" was a hit... it also had the most press, the worldwide backing of the V-Day organization, a lot of money spent on publicity, and a huge promotional push. Should that deter it from being recognized as an excellent piece of art? No. But there was a lot of great theatre in Bakersfield over the past year and the truth is, many people didn't go see it. The Empty Space gets a lot of people because they are free... fortunately they do a lot of good work, too. The Spotlight and BCT may be a little pricey for some. The Candlelight even moreso and Stars the most. But everyone did great work and it's great that it's being recognized. You want a show with strong female performances that didn't get half the press the Vagina Monologues did, but said leagues about womens' rights, how many of you saw "On the Verge"? Props to that trio of women, who were involved in both shows. "The Vagina Monologues" cast was indeed powerful in their performances but so was "Angels in America", a very brave show being performed by actors that had to reach beyond themselves. Both brought out very sensitive issues but I have to believe that the "Angels" vast weren't as familiar with their roles as the "Vagina" cast may have been with theirs. And how many people here saw the amazing feats of "Teatro Bizarro", a show that went beyond the normal barriers that Stars puts up for their productions? I don't feel it's my place to 'vote' on any shows, though, because I didn't see some of the ones listed and now that they are getting some recognition, I feel bad that I missed what Danielle is saluting as excellent work. But every show I saw I felt had strong moments. And I hardly think the actors in these shows were doing it so they could get an award. I would think they were doing it because they loved it or believed in it. So why can't it just be nice to be nominated? I think everyone with the courage to do theater in a city like Bakersfield, where the audiences are so small, is a winner. I see the Candlelight closing down, I hear of financial woes at Bakersfield Community Theater and the Empty Space... and I wonder how much theater there will be next year to nominate. Instead of trying to smack each other around so much, why not show some solidarity and support for each other? I think what you all do is wonderful. Don't make it petty.

     
  • At 10:03 AM, Anonymous Anonymous said…

    So Danielle used to visit two maybe three(and that's a big MAYBE)theatres on a regular basis. Danielle also decided to stop reviewing theatre because she was bored by it (read Ms Belton's column several weeks ago on how bored she was with On the Verge)Actually the column was mainly about her trying to get a date.
    Why is she writing a column on theatre awards for Bakersfield? To give out awards one must see all the productions, do they not? I saw very few entries on Stars Theatre or BCT.
    As a regular patron of Stars & BCT, I am apalled that she did not give these theatres any mention. With Stars & BCT, at least they cast actors that are age appropriate, and can play the roles.
    I stopped attending The Spotlight Theatre because I was tired of seeing teens/young adults trying to play adult roles (Into the Woods, Jesus Christ Superstar). If I want to see a high school production, I will go to one of the area's local high schools.
    The Empty Space has the same actors in every production. Yes, they have their "token" new people, but for the most part it is the same tired actors who are not age appropriate, and have very little talent. It comes off like "Hey kids, Daddy has got a barn, let's do a show" mentality. No wonder they are about to fold.
    She also considers the theatre scene in Bakersfield as an "underground". It is an underground because you & more importantly THE CALIFORNIAN decided to not write about it anymore. So where else is it going to go but underground.
    It seems that Ms Belton was mainly stroking people's egos with the awards. Is this her way of making up for not reviewing theatre anymore? Is she trying to kiss people's butts because of her past comments? Who knows. Only Danielle Belton knows the answer to that.
    Maybe next years awards will have the same shows nominated because she stopped reviewing shows, and has no shows to nominate. Would that make all of you happy? So for you so called "artists", why the heck do you take what this writer(cough, cough, sneeze, wheeze, cough)says so serious & personal? She has honestly admitted that she would rather attend a Prince concert then visit the local theatres. Maybe you all should be like Roger Mathey, and GET A LIFE!!
    Phil N. Blank

     
  • At 10:04 AM, Anonymous Anonymous said…

    Perhaps some of you did not read Danielle's counsel in the prologue of this blogger. She advised to 'rumble' for your show and explain why it or its performers should win the nominated award. This is not a politically correct, everyone was super-type of discussion. Truth is, I DID see several of the mentioned shows and STILL think that the Vagina Monologues was the best. MY FAVORITE. I don't have to see EVERY show in town to know superb directing, great dramatic performances and stunning sets, costumes, etc.

    An Award is for the BEST of the BEST. EVERYONE does not win - only one in each category. And if people are too scared to speak up for their own work or the work of people they like, admire ... then SHAME on them. Why should I comment if none of their fans bother too. THe bottom line is personal preference. I do not have to mention every show nominated or even all the shows that I have attended to know my own preference. Besides, I don't know any of you (I don't think) or any of the performers (personally, anyway) so I have no vested interest in appeasing you. My vote, my choice.

    BTW, I have seen several different versions of the Monologues from the SF Bay to LA, and frankly, Ashley Bretz' work was tops. She and her cast and crew deserves their nominations and awards. Although there were many characters in this show and others that I liked, the simple truth is they did not get nominated - for whatever reason. So, QUIT YOUR CRYING and vote for one of the nominees. I LOVED Colette Masala and Julia Heatherwick. I simply related to what Colette said a little better so she will get my vote. Cabaret has been one of my favorites since childhood. Doug Cheeseman is an outstanding performer as is Sheila McClure. Angels in America was better in the theater than on HBO. Steinbeck would be proud of the OF MICE AND MEN show. MY VOTE, MY CHOICE, MY REASONS! I LOVED the entire production.

    Mentioning the backing of the production does not diminish the quality of the work. As stated above, I have seen the VM in other theaters in other cities and they ARE NOT all the same quality. I can say the same about renditions of Cabaret and Of Mice and Men and Angels in America. I LOVE the Arts and patronize local theaters throughout California (I travel a lot) whenever possible. Recognize that it is the local people behind the production that makes the show great - not corporate marketers or fancy ads. Instead of complaining about complaining, give these people their credit.

    While I disagree that people should copy and paste multiple voteswithout real commentary, I personally found it quite amusing to read the comments. Please, however, comment and defend your votes. This is like an election. The popular vote still needs to explain its popularity. And just why are a few of you so ANGRY at these people for expressing their opinions? The Spotlight and The Empty Space are slugging it out because, just as they had passion for their work, they have passion for their recognition. That is something to be admired - not condescended upon. GOOD JOB TO THESE 2 GROUPS. Apparently, they got on the phone and rallied their supporters. I suspect this was Danielle's intent when deciding to open the voting to a forum such as this. This is better than most of the soap operas! If you do not like it, you can always log off. Meanwhile, I will keep reading to see what happens on the next episode of "As the Theater Turns ..."

    **MR. ROGER, I DO NOT ADVOCATE VIOLENCE, SO I WILL DECLINE YOUR KIND OFFER. ANYONE WHO DOES NOT LIKE THIS OR ANY OF THE OTHER COMMENTARY, LOG OFF. EVERYONE ELSE, VOTE!

    MS. ME!!

     
  • At 10:36 AM, Anonymous Anonymous said…

    To all,

    Sadly, I am one of the ones who voted over and over again on the same ones a bunch of times and I'm not ashamed to admit it. I believe strongly in the shows I voted for and in the people I voted for. I voted for all of Hal Friedman shows not because he is my friend, but because he is THE BEST director this town has ever seen, as far as I'm concerned. I have only been here a short time, but the quality of work that man produces is in short; breathtaking. As for voting for myself, Your Damn right I'm going to vote for myself. Anyone who tells you they didn't is a liar.
    I have seen several shows at the Empty Space and I think they are some of the most talented group of people in this town, but my votes still stand and I back them up with every FIBER of my being.
    So to all who have a problem, come on guys. Danielle said to vote as much as we wanted, the gloves came off and so did the veil. see you around and good luck!
    Joe Cannon

     
  • At 10:49 AM, Blogger Danielle Belton said…

    Hey folks. It seems someone has an axe to grind against me, and that's all good. But buddy, I don't know where you got your info, but I have never said that I didn't like local theater. I never said I was bored. The decision to stop doing reviews was the decision of my editors, not mine.

    And at one point I was going to three shows every opening weekend (becuase about three shows open per month) So I saw and reviewed as many shows as I could throughout the year.

    Perhaps we've never met, because if you've met me you'd know that I like theater, plan to continue to write about theaters and love local plays. As for your opinions towards The Empty Space and The Spotlight, to each it's own. Everyone's entitled to their opinions. I liked different shows at all the theaters and quite frankly I wanted to nominated more BCT shows, but I had to cut the number of nominees. Like I wanted to give Bruce Coen a nom for "Visiting Mr. Green" a play I liked a lot, but there were so many other actors who did great this year.

    As for that column about me looking for a professional hanger on -- it was a joke. I used to write a twice a month humor column that now only comes out once a month. And yeah, I didn't like "On the Verge" but I thought it had a beautiful set. Just because I didn't like one particular play didn't mean that I hate all theater.

    So lighten up. Why the bitterness, man? Did I like accidentally brush you the wrong way? I'm a lover. I give love. I wouldn't be devoting this much of my blog to theater if I didn't actually love these people. I felt bad when I couldn't do reviews anymore and I'm going to miss writing them.

    So you can think what you want. I respect your right hate on me on my own blog. After all, I ask for it everyday at the end of WOTS. Love me? Hate me? Flame me on my own blog.

    It's all good.

     
  • At 10:54 AM, Anonymous Anonymous said…

    Obviously, this is Danielle's call. Joe, you are correct, vcote and vote often did seem to be the mantra early on. Well, until the cry babies got scared to keep logging on. What good is a blogger if it's not to stack the deck for your fave? You should vote for yourself and whomever else floats your boat. Don't apologize for it either. It's your choice. Just try to be constructive in your commentary. Trashing other performers and their shows and theaters is not the way to gain support OR future audiences. I think its great that some of the supporters of their shows are unafraid to do so. This reminds me of American Idol. People did not bother to vote for their favorite and then were mad because she/he was voted off for lack of votes. Some of these shows and theaters need to recognize these awards as a marketing opportunity - a chance to toot their own horn and convince people that theirs is a production/theater worthy of praise AND attendance. Maybe next time, all of the voters will be logging your name/show/theater like the Monologues and Angels, etc. SPEAK UP - we are waiting. -CB4

     
  • At 12:25 PM, Anonymous Anonymous said…

    You wanna get nuts? Let's get nuts! Some guy complaining that the Empty Space uses all the same actors? How about Stars? All the same actors, over and over again... and most of tem couldn't act their way out of a paper bag. If that Philbrandt guy casts himself in anther one of his shows, God save us! Did anyone see a production at Bakersfield Community Theater last year?!? I guess not. So, I have to give this one to the Spotlight. Go, Spotlight, go.

    And believe me, it's not because of the work of Joe Cannon. How many shows does he finish a run on anyway? Maybe half? I would have seen Pajama game but it closed because someone didn't want to do it anymore. Boo hoo. Hal Friedman is the best director this town has ever seen? And Joe has worked with all the directors around here so he can make that opinion! I've only really seen Hal do mostly musicals which were all ok and then Angels in America which, if you ask the cast, wouldn't give him a best director nod. So, we should pick our friends... that's sweet. Because none of us have the nuts to tell our friends they maybe aren't that good! And since we're on the topic of Angels... I'd have to give some notice to Brian Sivesind, who lost a lot of weight during that show and I was afraid that they were going to have a fat man dying of AIDS. So he gets it for Best Actor. Oh, and because he's MY FRIEND. As for Best Director, I'm not friends with any of them and what I know of them isn't impressive. Ron Steinman. Is that guy still alive? Roger Mathey, go get the rights to the show first! David Lollar. Where do I begin? Maybe I should go with Joe on this one. But I won't. Because Joe isn't my friend and so I dont want to support him! Ashley Bretz? See next paragraph. Give it to John Wells and Cory Rickard for directing an AGE APPROPRIATE cast in subUrbia!

    Vagina Monlogues... everyone tells me it was the best thing since sliced bread. Ashley Bretz revolutionized that hack Eve Ensler's work. And I guess it needed it since it was becoming boring? And nothing speaks to men more of women empowerment than havng them dress up in their panties and parade their sweet asses in my face. Welcome to the revolution! And everyone is talking up Colette, but how about the performance of Gaye?!? Gaye and Barbara Gagnon and Julia Heaterwick stood out for me. But overall I didn't listen to the other ones. I was too busy watching their asses. So, give the best production award to Cabaret, because I had some friends in it!

    The show no one saw? Who cares? Maybe there is a good reason no one saw these shows. I didn't see nor had ever heard of The Altruists! So give it to them! I think I had a friend in it!

    In the comedy category... well, the only show BCT got any nominations for is Love, Sex, & the IRS. Was that the best that place had to offer? It's in trouble. Plaza Suite. Do we have to see more Neil Simon?!? I didn't see The Altruists or Spider-Baby. Who did? But you know what? I have friends at BCT. So give it to their show!

    Original or adapted work? How many were originally done this year? Spider Baby! Didn't they do Hatikvah last year? And hasn't Dracula been done over and over and over? Oh, wait. Another BCT nomination. I have freinds there. Give it to their show.

    There aren't a lot of good women roles out there, either and is the Witch the lead role in Into the Woods? Maybe. I don't know. I fell asleep. Musicals do that to me. So no kudos to Sheila. I fell asleep for that one, too. Stop Kiss? Stop the show! Yawn. I pick my FRIEND Jenny Hatzman for the best actressssssss!

    Joe probably looked so good in Jesus Christ because everyone else sucked so bad. Do I give him points for that? Nope. Who cares about supporting actors anyway?!? I'm not friends with any of those guys! And none of those women would give me the time of day! So don't give the supporting actors/actresses any props!

    And this is my opinion and it should be LAW!

    And to make sure my picks they win, I will send this blog over and over again because we all know the chick from Hawaii deserved to go as high as she did on American Idol as long as he entire freaking state of Hawaii could tie up the phone lines! And American Idol is the standard for excellence!

     
  • At 1:09 PM, Anonymous Anonymous said…

    I was worried when Danielle had originally said to vote all you wanted, because how would she know? Because I had a feeling people would. Then I figured, since the postings were public, that people wouldn't be foolish enough to post the exact same thing twenty times in a row, since it would be rather obvious. I guess I should have known better.
    But I like that now discussion is being encouraged, since actual opinions speak volumes more than repeated votes. And I'll stand by my votes. And ego only counts for a small(ish) portion of my choices. Of course I'm more likely to vote for productions I was in.
    "Into the Woods" was an amazing production in all aspects. Taking over a dozen actors, cramming them onto an amazingly expanded stage(and probably the most dangerous I've worked on, complete with a rotating raked stage), beautiful scenery, and the second most fully talented musical cast this town has seen(The most talented musically being Sweeney Todd). The performers in both those shows amazed me by sheer talent, and I was amazed at the lack of weak points in both.
    It also speaks to the incredible talent of director Hal Friedman, who was able to rally such talent for these shows, while also putting up the year's best drama, "Angels in America." I've worked extensively with Hal, and because of it I can honestly say he's one of the very best directors and visionaries a person CAN work with.
    Lastly, Best Original Music MUST go to Spider Baby, as it is a completely original musical. No other composition comes close this year to the work that went in to that production.
    Andrew Hupp

     
  • At 1:11 PM, Anonymous Anonymous said…

    Oh, and I just think it's cool to see people having voted for me, those other than myself or friends. Besides, I don't think any of my close friends have even voted.
    I find it personally more fulfilling to find out that complete strangers have enjoyed my performances than getting an award from people I do know.
    But the awards are nice as well.
    Andrew Hupp

     
  • At 3:24 PM, Anonymous Anonymous said…

    WHAT ABOUT THE NICK AND JESSICA FAMILY XMAS SPECIAL? I MEAN, DID YOU SEE THAT JESSICA AND ASHLEY SING THEIR DUET WHEWWWWWWWWWWW WEEEEEEEEEE?...CAN I GET A AMEN SISTA! UMMM WHO IS COLLETE MARSALA?
    "PAZ" TO "ERIC B AND RAKIM" TO "OFF THE HOOK"...AND JENNA WIDELOCK IS THE BEST ACTRESS IN THE WORLD AND DOUG TOO...AND JASON FOR HIS GREEN SUIT, AND ELISE PALOS FOR HER PINK BOA, AND JACKIE BENNETT FOR HER MMMMMMMMMMONKEY BOX! AND LETTTTTTTTTTTTSSSSSSSSSSS GOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO PAINT THE TOWWWWWWWWWWWWNNNNNNNNNNNNNN REDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD...WHERES THE LEPINE MACHINE?
    TWO WORDS FOR YOU...TEATRO BIZARO...HELLO!

     
  • At 3:50 PM, Anonymous Anonymous said…

    A little education is in order ...

    Masala is a person... Marsala is a wine sauce; which you should obviously not partake anymore of too soon. She's the lady in the Vagina Monologues nominated in the Breakthrough Performance category along with Julia Heatherwick. But if you are a fan of the bumbling no-talents mentioned above, you would probably not appreciate either lady nor any of the other talented performers nominated herein.

    Paz means peace in several different romance languages - particularly Spanish, old Latin, Italian and some Portuguese dialects.

    Eric B and Rakim are old school hip hop performers who had a monster hit entitled "Move the Crowd" years (late 80s, early 90s) ago. They set the bar for lyrical flow.

    Sliced bread - nor eating for that matter - is not what I think about when women are reciting about their vaginas and ending violence against women. The drama may have made us laugh, snicker, cry, etc. but the subject matter is real. Dismissing it because you have a different preference is insidiously asinine.

    All pettiness aside, give every one of these performers their just due. Since I am not a performer but enjoy patronizing the Arts, I admire and respect their work. I am also quite sure I would not want my employer opting to handle my annual/semi-annual performance review in a forum such as this. I applaud the nominees for not lashing back - too much anyway. Some of you are brutally honest (and that's okay) whereas others are downright rude and insultingly ignorant. It's okay to disagree but you do not have to be disagreeable. That's the beauty of constructive discourse. Those who choose to degrade others simply serve the purpose of exhibiting your naked ignorance.

    Danielle, I admire your handling of the 'haters' though I am not quite sure my decorum would have been retained under such fire. I don't think ill of you at all. Actually, quite the contrary. You really are doing a great service to the Arts and to each of the theaters and fine productions taking place within them. After all, how many people DO get to see EVERY play in EVERY playhouse in their city. Most only see either their own or their family's/friend's. I am sure each of these performers have their own group of supporters but I'm almost positive that they also have feelings when people needlessly come down on them to promote their own votes. Vote and defend your vote without degrading or denigrating another and you will show you have at least a grain of intelligence - and humanity - within you. Perhaps some of the disgruntled people should take their own advise and see other shows (even musicals) prior to passing such negative commentary - in writing no less - on people who are VOLUNTARILY putting themselves out to possible public humiliation and criticism for our viewing pleasure . People in glass houses should not throw stones ...

    Choose the BEST and stand by your choices with honor and pride. We will all stand beside you. Well, the intelligent of us, anyway.

    Be well.

     
  • At 4:00 PM, Anonymous Anonymous said…

    Hopefully, your decisions will not be swayed by the haters. People vote for whom they like - regardless of the situation. Respect that and their opinions - especially those who actually bothered to iterate one. If people enjoy certain performers or performances over others, who are we to question? We could do the same thing to all of the haters. Ask them, WHY DO YOU HATE SO MUCH?

    Life's hard; get over yourself. It is far easer to tear down than build up. When you tear down, you are left with nothing. When you build, you have something. Build up one another and make this world a peaceful one.

    BTW, the last posting (with the education) was mine. This has been a great forum to debate the BEST. Buena Suerte (that's "Good Luck" to the language-challenged) to all of the nominees. Judging from all of the commotion, you all deserve to be recognized.
    Cheryl

     
  • At 4:28 PM, Anonymous Anonymous said…

    Wow. I just think Danielle is doing all of us a favor. i don't care wether I win or lose, it doesn't matter that much, but for Bakersfield Theatre, Danielle is trying to drum up interest. The Californian decided we don't get reviews anymore, so this is the next best thing. enjoy it. On a personal note, why am I being attacked. I'm sorry if my cast wouldn't vote for me, but hey, they're all working for me again on number 2, so I must have done somehting right and we all worked very hard on Angels so, Mr. Anonymous, why the attack? As for all the other people nominated, goodluck, I hope in the end this becomes an enjoyable thing.

    Hal Friedman

     
  • At 4:51 PM, Anonymous Anonymous said…

    Wow, I am amazed at all yall's memory of every detail of the Vagina Monologues. Wasn't that almost a year ago? I don't even know the performers...did you keep a program folks or are you a stalker? Yes, it was a fine performance and this is what I remember from it: A hot beginning, cool video visuals, a tatooed lady..so cool, a lady talking about a guy(me?) and how great he is...I could be that guy!, some young lady writhing on a chair (how could you not remember that!), a moaner that made me really laugh (I was a little scared too) and a tear jerker ending, but can't remember what it was, but I choked a tear back. So, if any of those people were nominated I vote for them and if they weren't I send them my love and personal vote.

    I'm glad someone told me to check out this cat fight! MEOW!

     
  • At 5:23 PM, Anonymous Anonymous said…

    Hal, I think your great.
    I havent had a chance to tell you,Congratulations on your new baby!
    Love ya,
    Ashley Bretz

     
  • At 6:03 PM, Anonymous Anonymous said…

    Dear "Cheryl"
    wink, wink ;0
    two words for ya:
    TEATRO BIZZARO
    LOVE,
    JESSICA SIMPSON

     
  • At 6:47 PM, Anonymous Anonymous said…

    We have so many opportunities in theatre in Bakersfield, or we have had. Right now the majority of the theatres are suffering financial wows. My vote is for those of us who want to see theatre thrive and grow is for us to support each other. Say something positive! Let's work together to support each other. Let's do joint marketing. Let's go to each other's shows so that we can see that there are other things to vote on. Let's broaden our horizons and find some joy in theatre both as participants and audience members. Life is so short. I hate to waste it with the nasty criticism and the self-aggrandizement evidenced in these messages.

    I might recommend that we suggest some honorable mentions for shows, actors, and tech we particiularly liked but that weren't nominated. Having your good work pointed out is gratifying whether there is an actual nomination or not.

    So folks, please lighten up some. There is more than enough negativity in the world. Let's focus on what's good!

    Emily Thiroux

     
  • At 10:43 PM, Anonymous Anonymous said…

    To compliment the last message, I would like to say a kind word about a group of folks that haven't been mentioned: Major League Improv. I saw Jeff Lepine's send off by the group and I had almost as much fun as they did on stage. Thank you for bringing a little fun to our community!

     
  • At 11:25 PM, Anonymous Anonymous said…

    I'm not just a fan of "The Vagina Monologues;" I was a cast member... Not a monologuer, but part of the ensemble. It was my first attempt at acting, and boy was it a powerful experience! I am still amazed at Ashley's vision; she totally took that show to a new level and I am forever grateful for the positive memories. Those women I worked with were awesome! The show made me so aware of myself and ultimately empowered. Thanks for the gamut of emotions, too!

    Anyway! I didn't see all of the shows nominated, but I did see quite a few. I only voted in the categories of shows I have seen...

    Btw, thanks to the lunatic for the props for my pink boa! I know who you are!!! :)

    General Excellence:
    The Empty Space
    Best Production:
    "The Vagina Monologues" (The Empty Space)
    Best Production No One Saw
    "Of Mice and Men" (The Empty Space)
    Best Musical:
    "Cabaret" (The Empty Space)
    Best Drama:
    "Of Mice and Men" (The Empty Space)
    Best Director:
    Ashley Bretz, "The Vagina Monologues" Best Actor:
    Doug Cheesman (Emcee), "Cabaret"
    Best Actress:
    Jenny Hatzman (Harper), "Angels In America"
    Best Supporting Actress:
    Elisabeth Lepine (Ursula), "Much Ado About Nothing"
    Best Comedic Performance (female):
    Cory Rickard (Beatrice), "Much Ado About Nothing"
    Breakthrough Performance:
    Julia Heatherwick, "The Vagina Monologues"
    Best Original Music:
    Original music for "The Vagina Monologues" (Ben Gomez, Smith Mitchell & Steve Taylor)
    Best Music Orchestration/Production
    "The Vagina Monologues" (The Empty Space)
    Best Duet/Solo Performance
    "I Don't Care," Doug Cheesman (Cabaret)
    Best Choreographed Sequence for the Stage:
    "The Wear and Say Lists" from "The Vagina Monologues"
    Best Choreography:
    "Cabaret" (Kelsey White, Sheila McClure, Paul Sosa and David Lollar)
    Best Lighting:
    "Julius Caesar" (The Empty Space)
    Best Original Costuming/Makeup:
    "The Vagina Monologues" (The Empty Space)

     
  • At 11:28 PM, Anonymous Anonymous said…

    Congratulations is in order for the winners!!! You all deserved it!
    JC

     
  • At 4:45 PM, Anonymous Anonymous said…

    I would like to applaud Emily Thiroux's post. Although I have never been in a show at Spotlight, I agree with Ms. Thiroux's very mature take on the current economics and dramatics hovering over the theatres in Bakersfield.

    I also would like to "stand up" for Jim Fillbrandt regarding the comment made by someone a few blogs up. Dr. Fillbrandt has been doing theatre in this town for 37 years. He has donated thousands and thousands of dollars to keep theatre alive in this town. Some of the actors in town do not enjoy musicals, but some DO. And Dr. Fillbrandt has been instrumental in bringing to our audience numerous productions straight from Broadway. I.E. Disney's Beauty and the Beast and Miss Saigon next spring. Does anyone take into effect how many PATRONS each theatre has? The patrons are the ones who should be voting, not us. We had over 10,000 people see our last show at Bakersfield Music Theatre. Can anyone else say that? We are putting together productions that people want to see. And that is obvious by our filled seats.

    Since I was the person who was responsible for the set of Teatre Bizarro, I was glad to see it nominated. Thank you Danielle. However, is it realistic to give a theatre lighting award to a show at the empty space? I love the empty space and agree that they produce edgier shows for the edgier crowd, but come on....

    Danielle, you are a brave woman :)

    Thanks,
    Brian L. Lyons

     
  • At 11:26 AM, Anonymous Anonymous said…

    I can't believe anybody remembered me, let alone nominate me for awards! It's good to see that my first time out the blocks wasn't a complete failure. Danielle and anybody else who voted, thank you for your support and God Bless.

    Mylum Nicholson

     
  • At 1:07 PM, Anonymous Anonymous said…

    I love theatre in this town. I have been a part of it since I was nine years-old dancing and singing at Old Stars' re-opening "Christmas at Stars" production in 1990, that's 14 years by my math. I have had all the amazing opportunities to grow both musically and theatrically, and been able to make amazing friends for life. I love all theatres in this town, I've worked in most of them acting, singing, dancing, teaching, teching, and accompanying. I think there were many awesome performances this year looked over, in particular Bill Brown as the Beast in "Beauty and the Beast." But I applaud the nomination of Mylum Nicholson in "Songs for a New World." He is an amazing talent, and has a bright future if he so chooses. We have such a rich theatre community, we need to keep going out and supporting all types in this town. So, here are my votes, chosen with much thought and time put into them.

    General Excellence:
    Stars Theatre Restuarant/Bakersfield Music Theatre

    Best Production:
    "Beauty & the Beast" (Bakersfield Music Theatre)

    Best Production No One Saw
    "A Few Good Men" (The Spotlight)

    Best Musical:
    "Beauty & the Beast" (Bakersfield Music Theatre)

    Best Drama:
    "Angels In America" (The Empty Space)

    Best Comedy:
    "Love, Sex, and the IRS" (Bakersfield Community Theatre)

    Best Original or Adapted work:
    "This Ain't Your Mama's Chili," Betty Briscoe (from Bakersfield Community Theatre's annual Original One Act Play Festival)

    Best Director:
    Ron Steinman, "Beauty and the Beast"

    Best Actor:
    Doug Cheesman (Emcee), "Cabaret"

    Best Actress:
    Jenny Hatzman (Harper), "Angels In America"

    Best Supporting Actor:
    Joe Cannon (Caiaphas), "Jesus Christ Superstar"

    Best Supporting Actress:
    Elisabeth Lepine (Ursula), "Much Ado About Nothing"

    Best Actor in a Musical Performance:
    Mylum Nicholson, "The Songs for A New World"

    Best Actress in a Musical Performance:
    Jill Burdick (Rapunzel), "Into the Woods"

    Best Comedic Performance (male):
    Jason McClain (Jesse Kiplinger), "Plaza Suite

    Best Comedic Performance (female):
    Cory Rickard (Beatrice), "Much Ado About Nothing"

    Breakthrough Performance:
    Mylum Nicholson, "The Songs For A New World"

    Best Original Music:
    Original score for "Julius Caesar" (Robert Chan and Joel Walton)

    Best Music Orchestration/Production
    "Joseph and the Amazing Technicolor Dreamcoat" (Bakersfield Music Theatre)

    Best Duet/Solo Performance
    "King of the World," Mylum Nicholson (The Songs For A New World)

    Best Choreographed Sequence for the Stage:
    "Crucifiction" from "Jesus Christ Superstar"

    Best Choreography:
    "Beauty and the Beast" (Brent Rochon and Sarah Giorgis)

    Best Lighting:
    "Beauty and the Beast" (Bakersfield Music Theatre)

    Best Original Set Design:
    "Teatro Bizarro" (Stars/Bakersfield Music Theater)

    Best Original Costuming/Makeup:
    "Angels In America" (The Empty Space)

     

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